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The Lord of the Rings (1978)
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dnvillalpando
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PostPosted: Fri Nov 24, 2006 10:01 pm    Post subject: Reply with quote

Mike wrote:
Apparently, Sam Raimi of "Spiderman" fame has been contacted to direct. Nobody's said if he has accepted, however.

And, to Isaac: MGM, not New Line, are the ones in charge of "the Hobbit".

There's still hope, my friends!


Wow! That's serious news! Sam Raimi is hit or miss with me, but he's always bold and inventive. Should be interesting if nothing else!

Cool! Thanks for the info Mike.

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Isaac
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PostPosted: Sat Nov 25, 2006 8:55 am    Post subject: Reply with quote

Mike wrote:
Apparently, Sam Raimi of "Spiderman" fame has been contacted to direct. Nobody's said if he has accepted, however.


Wow, that's great news. Hope he does it, though. That'd be something to see!
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Pre-Raphaelite
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PostPosted: Sat Nov 25, 2006 9:54 am    Post subject: Reply with quote

I find the James McTeigue (V For Vendetta) rumor far more intriguing!

I don't think Sam Raimi is right for The Hobbit at all!

My picks would be:

Peter Weir
Ridley Scott
Neil Burger (The Illusionist)
Dan Futterman (Capote)
Stephen Poliakoff (The Lost Prince)
Jean-Pierre Jeunet - but ONLY if he is made to follow an excellent screnplay (Tom Stoppard or someone of that calibre).
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JKS
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PostPosted: Sat Nov 25, 2006 1:48 pm    Post subject: Reply with quote

I advocate David Lynch directing The Hobbit.
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Isaac
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PostPosted: Sun Nov 26, 2006 10:15 am    Post subject: Reply with quote

Bad news...

http://www.showbizdata.com/contacts/picknews.cfm/42817/ZAENTZ_RINGS_IN_JACKSON_FOR_PREQUELS

Quote:
As Lord of the Rings fans mounted a protest following word that New Line had dropped Peter Jackson from consideration as director of The Hobbit and another Lord of the Rings prequel, producer Saul Zaentz has given assurances that Jackson will indeed direct the two films. A German website, Elbenwald.de, posted an interview with Zaentz, who acquired the rights to the works of the late Rings writer, J.R.R. Tolkien, in 1976 (the Saul Zaentz Company owns Tolkien Enterprises), in which Zaentz says, "It will definitely be shot by Peter Jackson. ... Next year The Hobbit rights will fall back to my company. I suppose that Peter will wait because he knows that he will make the best deal with us. And he is fed up with the studios: to get his profit share on the Rings trilogy he had to sue New Line. With us, in contrast, he knows that he will be paid fairly and artistically supported without reservation."


Evil or Very Mad
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Pre-Raphaelite
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PostPosted: Sun Nov 26, 2006 10:39 am    Post subject: Reply with quote

Yeah, but all Newline has to do to retain their right is start production. That can be anything. The same thing happened with the `76 King Kong. De Laurentiis had to push production up by almost a year to retain the rights, or Universal would have won their case against him. But here's hoping it goes to a better man. Two lumbering three-hour Peter Jackson Hobbit movies is just too dreadful to contemplate. Especially after getting a load of his King Kong script! May Philipa Boynes never write another word of dialogue for a movie ever again!
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Mike
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PostPosted: Sun Nov 26, 2006 11:39 am    Post subject: Reply with quote

I really disagree with MGMs idea of making two films. This is not two films of "The Hobbit": the first film is based on the book, and the second one bridges the two.

I see absoutely no point to making the second film, and I hope the producers realize it before they start "milking a dead cow" so to speak. Simply, Tolkien fans aren't going to see a movie that is not based on Tolkien, no matter who's directing.

As for Saul Zaentz, I think he's just trying to assuage Jackson fans. Thinks don't go back to normal after you sue a company to get profits, after all. The people who were sued so that Jackson could make even more money off the films aren't going to sit back and invite him in again, they're going to be wary of him, and I hope they succeed in stopping him.

And ah yes, who can forget King Kong? The movie that has absolutely no reason to be remade, as it is still an excellent, ground-breaking classic, but has been remade twice in any case? I enjoyed the film, but I still believe it was pointless, and dare I say a waste of a large budget, simply because it did not match the original.

And I'm getting tired at how Jackson has showed no signs of stopping his creation of long, drawn-out scenes. "The Hobbit" doesn't need three hours to be told on film. Rankin-Bass (despite horrible character design and animation) did a fairly good job adapting it into 70 minutes and not leaving that much out.

So I really hope they get another director, and a good screenwriter, and try not to make a Jackson LOTR clone but something true to the spirit of the original book, which was, after all, for children.

But by the looks of this two-film setup, they're looking for a Jackson clone.

Who knows? We'll just have to wait.


Quote:
With us, in contrast, he knows that he will be paid fairly and artistically supported without reservation."


Really? I'm sure peter S. Beagle would disagree:

http://www.conlanpress.com/youcanhelp/

Wow, that's really being payed fairly and given artistic support!
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PostPosted: Sun Nov 26, 2006 1:09 pm    Post subject: Reply with quote

I'm seriously thinking of mounting a "Support Newline" campaign to ounter the religious fanaticism of Peter Jackson's congregation...er, fanbase. If they have to make the movie, they should at least try to find someone more capable of making a film under 3 hrs. long with some kind of dramatic focus and basic storytelling ability.

As for Saul Zaentz, I think he's just trying to assuage Jackson fans. Thinks don't go back to normal after you sue a company to get profits, after all. The people who were sued so that Jackson could make even more money off the films aren't going to sit back and invite him in again, they're going to be wary of him, and I hope they succeed in stopping him.

Couldn't agree with you more Mike. Bakshi fans know a little more about Zaentz & his antics than PJ fans, who think Zaentz is some kind of guardian angel protecting the Tolkien legacy. This guy broke contract with Bakshi, Beagle & who knows how many other creative artists, and pocketed all the money!

And I'm getting tired at how Jackson has showed no signs of stopping his creation of long, drawn-out scenes. "The Hobbit" doesn't need three hours to be told on film. Rankin-Bass (despite horrible character design and animation) did a fairly good job adapting it into 70 minutes and not leaving that much out.

LOL! But you have to imagine Philipa Boyens on the 13 disc super-special-interminably-extended collector's box set dvd of The Hobbit Movie saying (imagine New Zealand accent) "We asked ourselves, what's Bilbo's story? What's it all about? We felt the story demanded certain scenes that just weren't in the book..." ad nauseum.
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Mike
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PostPosted: Sun Dec 03, 2006 10:36 am    Post subject: What bugs me Reply with quote

And now on a completely different topic...

There is only one thing which really bothers me in Bakshi's LOTR--much more than the (S)Aruman fiasco, more than anything else:

When the Fellowship is going down the great river, it is the hobbits who are paddling, while the others just sit or stand on the prow of the boat declaring things. Why would the hobbits be paddling? The other members are stronger, and out of the four hobbits, only Merry is supposed to know anything about boats.

And that brings up another point: why do they paddle by switching sides constantly? Anyone who has ever been on a canoe knows you only switch sides when you arms are tired or you have to steer. Otherwise, you trail the paddle behind to correct the push in the other direction.

Did no one in the cast know how to paddle? Why the constant switching?
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ekm



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PostPosted: Sun Dec 03, 2006 12:48 pm    Post subject: Reply with quote

I had a number of problems with the body actors...and not to get all Flying Moose or anything, but they DID have a tendency to go very "broad" with their characterizations (and I've still not forgiven Bakshi for casting a female to play Frodo, which results in some moments that are bit foppish).

Yes, Gandalf DOES have a tendency to over-emote (which is a shame, because I absolutely love the way he uses his hands when he speaks, which, toned down a bit, could be suitably mystical, as if he were conjuring with words, rather than, at times, excessive).

Still, for me, the greatest cringe-inducing moments are Frodo greeting Gandalf (holds his head, jumps in a circle, and then vomits forth an Air Hug), and Pippin, who uses his forearm and elbow (with feeling!) to hammer home the point that he's "TIRED of looking at [his] COUSINS all DAY!"

This point about the non-hobbits just sitting in the boats is a good one, though I don't think it comes close to matching the unitentional hilarity of Legolas, Gimli and Gandalf causually standing by the gates of Moria while we see Aragorn and Bormoir rushing toward the camera to save Frodo. THAT always cracked me up!
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Isaac
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PostPosted: Sun Dec 03, 2006 1:26 pm    Post subject: Reply with quote

I didn't find anything wrong with the rotoscope models' acting.
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Mike
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PostPosted: Sun Dec 03, 2006 1:37 pm    Post subject: Reply with quote

Quote:
Yes, Gandalf DOES have a tendency to over-emote (which is a shame, because I absolutely love the way he uses his hands when he speaks, which, toned down a bit, could be suitably mystical, as if he were conjuring with words, rather than, at times, excessive).


I actually quite liked Gandalf's flailing hands. The only place it went over-the-top for me was the somewhat creepy bit in the shadow of the Past Segment: "YOU are the one who has the Ring now. YOU." It looks like Gandalf is going to cast some evil spell on the little guy.

Quote:
I've still not forgiven Bakshi for casting a female to play Frodo


I actually thought it was a good idea. Though the little Frodo-and-Sam romantic mement could have been avoided in Weathertop if a man played Frodo (face it--that was typicallly femenin behaviour).

Quote:
Still, for me, the greatest cringe-inducing moments are Frodo greeting Gandalf


This scene didn't actually bother me. The most cringe-inducing moment for me was when Sam says "Oh Hooray!" and then waddles off screen. I would have just eneded it with the "Oh Hurray!" and cut to the next part--It don't know why, but I can't stand Sam's waddle (actually, I didn't like Sam in this film at all until the last third, where his dumb side is finally toned down).

Quote:
This point about the non-hobbits just sitting in the boats is a good one, though I don't think it comes close to matching the unitentional hilarity of Legolas, Gimli and Gandalf causually standing by the gates of Moria while we see Aragorn and Bormoir rushing toward the camera to save Frodo. THAT always cracked me up


Not nearly as bad as having Gandalf, hanging from the edge of a bridge, about to fall to his death, while the other members of the fellowship just stare at him--Boromir even holding back Frodo from coming to his rescue. I think you know of which version I speak. (and it clearly shows the whip is no longer wrapped around Gandalf's laeg. All the Howard Shore dramatic music in the world couldn't save that scene.)

This gate bit didn't make me crack up, though, because it came just after my favourite scene: Gandalf opening the gates. "Gandalf, you old fool!" The music, the camera angle, the character reactions...just perfect. (Though they did say "Mechlon" instead of "Mellon"--by this time, I was beyond caring).

Oh yeah, Isaac: Christopher Guard was the voice actor for Frodo. The midget who served as the rotoscope model for Frodo was a woman.
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Isaac
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PostPosted: Sun Dec 03, 2006 3:54 pm    Post subject: Reply with quote

Mike wrote:
Oh yeah, Isaac: Christopher Guard was the voice actor for Frodo. The midget who served as the rotoscope model for Frodo was a woman.


Thanks for clearing that up. I was under the impression that he was referring to the voice actor, and not the performance model. Apologies for the confusion.
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ekm



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PostPosted: Sun Dec 03, 2006 6:24 pm    Post subject: Reply with quote

Mike wrote:
I actually quite liked Gandalf's flailing hands. The only place it went over-the-top for me was the somewhat creepy bit in the shadow of the Past Segment: "YOU are the one who has the Ring now. YOU." It looks like Gandalf is going to cast some evil spell on the little guy.


Yeah, the whole stick-a-finger-in-Frodo's-face thing is a bit on the melodramatic side.

Quote:
Though the little Frodo-and-Sam romantic mement could have been avoided in Weathertop if a man played Frodo (face it--that was typicallly femenin behaviour).


See that other thread where I put in my three cents on this point.

regardless, I think the femininity in Frodo comes out too often...and the way s/he walks around with his hands in his belt buckle and his feet flopping to either side looks a little goofy sometimes. Worst example: Frodo and Gandalf cross the bridge in the Shire and Frodo is nearly prancing.

Quote:

Not nearly as bad as having Gandalf, hanging from the edge of a bridge, about to fall to his death, while the other members of the fellowship just stare at him--Boromir even holding back Frodo from coming to his rescue. I think you know of which version I speak. (and it clearly shows the whip is no longer wrapped around Gandalf's laeg. All the Howard Shore dramatic music in the world couldn't save that scene.)

I always interpreted that scene in the Jackson film as being a case where the bridge is broken and any added weight could send that piece (and whoever was on it) down into the chasm. It's all physics, and makes sense to me.

Quote:
This gate bit didn't make me crack up, though, because it came just after my favourite scene: Gandalf opening the gates. "Gandalf, you old fool!" The music, the camera angle, the character reactions...just perfect. (Though they did say "Mechlon" instead of "Mellon"--by this time, I was beyond caring).

Great scene...except how did the Watcher close the doors, seeing as they opened INWARD?
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Mike
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PostPosted: Sun Dec 03, 2006 6:48 pm    Post subject: Reply with quote

Quote:
always interpreted that scene in the Jackson film as being a case where the bridge is broken and any added weight could send that piece (and whoever was on it) down into the chasm. It's all physics, and makes sense to me.


As you wish.

Quote:
Great scene...except how did the Watcher close the doors, seeing as they opened INWARD?


Considering we see the entire thing happen, I think that's already explained. The tentacles took hold of the doors, sent them on their way to closing, then retreat, and the doors continue closing from the momentum. You can do it with any door. It's all physics (he he he).

Kind of strange that they open in the opposite direction from the books, but doesn't really make a difference.

The only place I found a female rotoscope model for Frodo noticable was the bit at Weathertop where Frodo and Sam "snuggle" and Frodo's little dance when Gandalf returns.

I really don't think the "snuggle" scene was supposed to come off as it did--again, male actors would never had done this, but both were female. You can't really accuse it of having any "undertones", considering where it came from. When Bakshi directed this in live action, he was directing to women showing a bit of friendly affection. Only after the animation would it have looked strange, but by then, thoughts would have already been influenced by the innocent live footage, and the rotoscoped footage would have looked innocent as well.

All four hobbits were rotoscoped from women. Perhaps you're just upset with the one actress.

All in all considered, that one bit is so brief that it's not really as stand-out as you imply on another thread. I didn't take it for anything the first time watching it. Some people I know never noticed it, and some just thought it was innocent--as it was. Once you read the original screenplay, it wasn't 'written' in that Frodo and Sam had anything beyond friendship. Really.
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